清代银手镯
银器在历史文物中占有重要位置,是中国传统文化艺术的重要载体,历经各代王朝,银器的制作和使用久盛不衰。时至今日,银器仍然是无数人热衷的器物。型秀丽典雅,纹饰繁复细腻,质地极佳。器身表面镶嵌着浮雕珍珠花卉纹,纹样复杂精美,装饰繁密,具有很强的浮雕效果,可见其做工十分精湛,突显出了当时的时代风格特征。
Silverware occupies an important position in historical relics and is an important carrier of Chinese traditional culture and art. After various generations of dynasties, the production and use of silverware has been prosperous. Today, silverware is still a favorite thing for countless people. The shape is beautiful and elegant, the texture is complex and delicate, and the texture is excellent. The surface of the body is inlaid with embossed pearl flower patterns. The patterns are complex and exquisite, and the decoration is dense and has a strong relief effect. It can be seen that the workmanship is very exquisite, which highlights the characteristics of the times.
手镯整体格调富丽雅致,珍珠亮丽,与镯体颜色交相辉映,增添了器物的色泽和美感,搭配自然合理,刻画深刻典型,制作精巧,工序复杂,凝聚着古代工匠的艺术想象力和创造力。在鉴赏对银手镯的同时,也看到了银匠师精湛的技艺,展现了中华民族工艺师们的伟大智慧,体现了中国人的使用习惯和审美情趣的独特风格,极具鉴赏价值和收藏价值,是一件非常值得收藏的银器精品。
The overall style of the bracelet is rich and elegant, the pearls are bright, and the colors of the bracelets complement each other, adding the color and beauty of the objects. The natural and reasonable combination, the portrayal of the typical, the intricate production, the complicated process, the artistic imagination and creativity of the ancient craftsmen. While appreciating the silver bracelet, I also saw the exquisite craftsmanship of the silversmiths, showing the great wisdom of the Chinese national craftsmen, reflecting the unique style of Chinese people's habits and aesthetic tastes, with great appreciation and collection value. It is a silverware that is worth collecting.
在清代,由于经济的不断发展,同时也为了迎合帝王、权贵的喜好,各种工艺都以华丽为尚,家具、石刻、建筑等,无论色彩还是样式都变得富丽堂皇。各种手工艺的水平也达到了登峰造极的程度,金属的雕刻、镂空、花丝、珐琅等获得了较大的发展。到了康熙、乾隆年间,银器、银饰品的使用不再是贵族阶层的专利,而是步入了每个家庭,不分贫富贵贱三教九流,女人头戴银头饰、男人腰佩银挂件已成为一种时尚。
In the Qing Dynasty, due to the continuous development of the economy, and in order to cater to the preferences of emperors and dignitaries, all kinds of crafts are gorgeous, furniture, stone carvings, architecture, etc., regardless of color or style. The level of various handicrafts has reached the peak of the peak, and metal engraving, hollowing, filigree, and enamel have achieved great development. During the reign of Emperor Kangxi and Qianlong, the use of silverware and silver jewelry was no longer a patent of the aristocratic class, but entered every family, regardless of the rich and the rich, the three-way, the woman wearing a silver headdress, the man’s waist and silver pendant has become A fashion.
在当时银楼、银作坊、银店分布全国各地,做工也越来越多讲究,扭、锤、穿、拉、嵌、镀、包银都得到了发挥。银饰文化在民间大展宏图,大放异彩,构成了中华传统银饰文化的主要内涵。可以说,每件作品都让人赞叹民间艺术家丰富、神奇的想象力和睿智的设计构思。
At that time, silver buildings, silver workshops, and silver shops were distributed throughout the country, and more and more work was done. Twisting, hammering, wearing, pulling, embedding, plating, and silver were all played. The silverware culture has made great achievements in the folk exhibition and has become the main connotation of the traditional Chinese silverware culture. It can be said that each piece is awesome for the rich, magical imagination and sagacious design of folk artists.
这一对清代银手镯是潘先生家传的珍品,纯银打造,圆条不咯手,表面光滑。工艺讲究整体器型典雅大气,暗刻优美纹饰,琢工细腻,工艺复杂且十分精湛,经过长时间的岁月蹉跎,表面已经形成浓厚的包浆,具有强烈的时代感,保存完好,银器制作工艺复杂,材料昂贵,每一件银器,都是精工制作,无论是实用器还是装饰器,堪称艺术品。银器的收藏价值很高,尤其是近年来,受到各路藏家的关注,在国外更是受到市场的极力追捧。
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